Drinks were had, food was consumed, and they hit the lab to create a song that’s already a fan-favorite. David and Denzel were hanging at Cudi’s house (“the nicest house we’ve ever been in,” according to Denzel) with Dot, and they all decided to celebrate with tequila shots.

“Tequila Shots,” for instance, was made on the day that “The Scotts” hit No. Man on the Moon III is a deeply personal album, not only for Cudi, but for the producers as well.

For Dot da Genius, though, it’s a return to a series that he began working on with Cudi over a decade ago. After all, parts one and two of Cudi’s Man on the Moon trilogy were formative to their development as producers and as people. It’s difficult for Baptiste and Biral to put the experience into words. But before long, they found themselves as integral members of Cudi’s creative team, first on “The Scotts” and eventually on Man on the Moon III: The Chosen. In a recent interview with Zane Lowe, Cudi explained, “Daytrip and Dot Da Genius pretty much produced this whole album.” At the time, the production duo was working with Cudi’s go-to producer, Dot da Genius, for tracks they assumed were part of Cudi’s long-teased Entergalactic project. All they had to do was recreate one of their biggest hits in front of their childhood idol. “What you guys did for Sheck Wes with ‘Mo Bamba’? Do that for me,” Biral remembers Cudi telling them.Įasy enough.

When David Biral and Denzel Baptiste from Take a Daytrip first met Kid Cudi, the rapper had a simple instruction for the production duo.

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